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William de Morgan Lustre Tile

 

Condition: Good
Price: £725 (approx $1181)
Ref: 02629

UK Special Delivery £733

US and World Airsure £740

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Chips to the upper corners, another small and a few tiny around the edges. A hairline 1 1/2 inches long origin a little under an inch from the top of the right edge, some light scratches and a little wear to the decoration near the top edge where the glaze has pooled. The tile displays very well with excellent colour and lustre.

 

• Style/technique: Arts & Crafts lustre
• Manufacturer: William de Morgan
• Dimensions: 6" x 6"
• Date: circa 1880

 

A singularly excellent example of design and decoration from William de Morgan the tile bears alternating quartered designs of complex stylised roses and swirling stems in two tones of copper lustre giving excellent shades of red and pink. The roses differ in style of petals and their number, the upper flower having three rings of seven petals and the lower having ten in the two outer rings and five in the middle. The painting has great feel and precision and the firing is truly excellent, the kiln manager, who may well have been de Morgan at this time, deserves applause for his skill.

Two versions of this design are recorded and can be found in Martin Greenwood's catalogue of de Morgan designs, this is better than either. A somewhat similar but rather less full version of this design bears V&A Accession Number 537, Rose & Scroll (variation). The image below is of V&A Accession Number 665, Rose & Scroll from 'William de Morgan Tiles' by John Catleugh wherein it is described as "a standard repeat design adroitly painted and beautifully fired". The example for sale is rather better than standard, it has several times the complexity and is considerably better painted, also it is very well fired with good strength and consistency of colour across the tile.

Very likely an early tile for de Morgan from the early Chelsea period, 1872 - 1881 as it is decorated on the style of 'Wedgwood style' blank that was typical of de Morgan's lustres of this period. The greater complexity and skill compared to the known versions both of which are from patterns in the V&A and so were production designs suggests either a very early example or perhaps a specially commissioned variation. This is indeed a rare opportunity to find an early period de Morgan lustre of such style and with such great colour, complexity and quality of execution.

 

 

Image from 'William de Morgan Tiles' by John Catleugh showing a considerably simpler version wherein it is described as "a standard repeat design adroitly painted and beautifully fired".

 

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