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Four minute rim chips. Style/technique: Pictorial block print The Dyer, an excellent tile from this series
designed by John Moyr Smith for Mintons China
Works. I love the colourway, buff clay I so much
prefer for Moyr Smith's classical style,
chocolate brown is so warm and friendly and also
produces a clear and crisp print. The series variously called 'Industry' and
'Trades' both words having changed their
meanings in the intervening century and a third.
Industry used to mean more as we understand
endeavour, work done by persons, now it means
big business, strangely the adjective
industrious retains its original, personal
connection. Trade similarly now means more to
barter, to earn one's living by transactions,
trade used to mean possessing a skill, usually
practical, by which one could earn a living. John Moyr Smith was perhaps the most popular
artist of the Victorian era, certainly on tile.
More of his work is seen on tiles than any other
(known) artist but tiles were but one string to
his bow, his work was seen in books and on
greetings cards amongst other media but in his
day he was widely known for illustrations and
cartoons in 'Punch', the long lived satirical
magazine. He was also an accomplished architect
and designer in other fields. Verso perfectly clean, removed from
furniture, marked the Campbell Brick & Tile
Co. Campbell was the owner of Mintons Ltd too
and Mintons coloured clay tiles all seem to have
been made at Campbell Tile Co as it is not
unusual to find Mintons Ltd patterns on Campbell
blanks. The image is full size at 72 dpi (about 430
pixels wide) in maximum quality JPEG format and on
screen is about the size as it would be in real
life at the same distance. A larger 120 dpi image
also in maximum quality JPEG format can be
forwarded by email if required. The image is a little oversize rather than
cropped close to the edges so that the edges can
easily be seen and any chips etc can be quickly
spotted. Other marks described are usually not
visible at all when the tile is viewed straight as
one normally sees it and can only be seen with a
critical eye when the tile is tilted to catch
imperfections in reflected light. For more details
of how we describe marks see Condition.
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