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Condition: Near perfect No damage but a couple of manufacturing flaws, a
glaze sealed shrinkage top edge very difficult to
spot and the very tiny glaze blow on the left
flower. About half a dozen points of wear on the
outline mostly at intersections, otherwise surface
is very near perfect with superb brilliance in the
glazes. Style/technique: Art nouveau tube
line A simple handmade art nouveau design with
absolutely superb colours, rich persian blue
background, flame red flowers and good greens
for the leaves and stems. The tube line
technique has three main attributes, [1]
the ability to create designs cheaply without
costly tooling, [2] the high outline
contains the glazes preventing nearby glazes
contaminating each other enabling chemically
conflicting glazes to be used, [3] the
outline could be stained as dark as required to
avoid the bright white cartoon like effect of
moulded outline tile in white clay. This tile
makes the best of these criteria. Interesting detail in the verso is clearly a
Rhodes pattern and not one of their earliest,
yet the pattern number is low. Rhodes are not
known for tube line tiles in their earlier years
and using this verso, the colours are atypical
for them too so I guess we are justified in
saying rare. Verso has typical rails with England embossed
and pattern number written in glaze. Condition: Near perfect Three minute rim chips, about half a dozen
points of wear on the outline mostly at
intersections, few exceedingly minor surface marks.
Some minor manufacturing imperfections, fabulous
brilliance in the glazes. The image is full size at 72 dpi (about 430
pixels wide) in maximum quality JPEG format and on
screen is about the size as it would be in real
life at the same distance. A larger 120 dpi image
also in maximum quality JPEG format can be
forwarded by email if required. The image is a little oversize rather than
cropped close to the edges so that the edges can
easily be seen and any chips etc can be quickly
spotted. Other marks described are usually not
visible at all when the tile is viewed straight as
one normally sees it and can only be seen with a
critical eye when the tile is tilted to catch
imperfections in reflected light. For more details
of how we describe marks see Condition.
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