Aesthetic/Arts & Crafts Movement Style Transfer Print Tile
 
  • Style/technique: Aesthetic print
  • Manufacturer: Mintons China Works
  • Dimensions: 6" x 6"
  • Date: circa 1885

 

An excellent period tile in a most unusual bright pink featuring groups of stylised flowers alternating in positive and negative in an offset grid arrangement, printed overglaze as the colour could not withstand the higher temperatures of being fired underglaze. Reputed to be a design by William Morris and taken up by Mintons although the pattern number indicates rather early a date for Morris' involvement.

The design has various pattern numbers according to the colorway the number of this is unknown, it has the number 1071 in blue and tan and 1377 in blue, grey and 'gold'. The earlier number puts in in to the era before Minton Hollins and Mintons China Works split pre 1868, a little early for Morris and suggesting maybe that it was designed by Pugin.

Clean offset verso with embossed name etc.


Condition: Very fine
Price: £80 (approx $158)
Ref: #02757

One very small, four very tiny and a couple of minute edge chips. Surface condition is near perfect, quite extraordinary for on overglaze decorated tile although the print has taken very well and is very durable.

UK Special Delivery £88

US and World Airsure £95

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Condition: Very good
Price: £55 (approx $108)
Ref: #02757

Medium chip bottom left corner and about half a dozen lesser edge/corner chips, mild staining around bottom right corner. Surface condition is near perfect, quite extraordinary for on overglaze decorated tile although the print has taken very well and is very durable.

UK Special Delivery £63

US and World Airsure £70

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The image is full size at 72 dpi (about 430 pixels wide) in maximum quality JPEG format. A larger 120 dpi image also in maximum quality JPEG format can be forwarded by email if required.

The image is a little oversize rather than cropped close to the edges so that the edges can easily be seen and any chips etc can be quickly spotted. Other marks described are usually not visible at all when the tile is viewed straight as one normally sees it and can only be seen with a critical eye when the tile is tilted to catch imperfections in reflected light. For more details of how we describe marks see Condition.

 

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