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 Very Rare Early Minton & Co 7" White Bodied Tile


• Style/technique: Pictorial handpainted
• Manufacturer: Minton & Co
• Dimensions: 7" x 7"
• Date: circa 1845

• Condition: Fine
• Price: £650 (approx $1300)
• Ref: 03000

Very small chip bottom edge, a few very tiny/minute edge chips, one very short scratch and other very slight surface marks. Perfectly clean and bright.

UK Special Delivery £255

US and World Airsure £265

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An excellently painted view of a river scene with boats under sail and ashore being worked on and a city in the distance. Painted in an economical yet clear and detailed manner and with a good range of colours.

What is perhaps most interesting however is the tile itself. Michael Hollins took over management of the Minton & Co tile business in 1845 and from thenceforth the business was known as Minton, Hollins & Co. Prior to this the majority of production was in floor tiles and the then name Minton & Co continued for floor tiles and perhaps majolica tiles in red, buff and other coloured clays using the floor tile dies. The wall tile business was essentially all down to Hollins and they were branded Minton, Hollins & Co, wall tiles marked with Minton & Co are incredibly rare.

The size is rare too, certainly Mintons China Works continued with some seven inch tiles in to the 1880s but they too are very rarely found, Minton Hollins branded similarly so. It is rather an odd size too given the number of inches in a foot, I have never seen an installation of them nor a purpose designed fitting eg fireplace. One clue perhaps may be in Prosser's Patent issued in 1840 which was for articles of surface area up to fifty square inches, or a fraction over seven inches square. Perhaps there was a technical limitation preventing larger tiles and hence the advent of this odd size.

I hesitate to state with certainty the date is circa 1845 because of the brilliant whiteness of the clay, that is not to say that it was technical impossible at the date but surely it was difficult. It may have just been a good batch, or perhaps purposely formulated for resale to artists and the most demanding (and affluent) customers. The issue may never be absolutely resolved however it is beyond date a very rare tile and certainly early, a real conversation piece for tile buffs and of museum standard importance.

(Image has been darkened a little to show the maker's name more clearly.)


The image is a scan of the tile full size at 72 dpi (about 500 pixels wide) in maximum quality JPEG format. A larger 120 dpi image also in maximum quality JPEG format can be forwarded by email if required.

The image is a little oversize rather than cropped close to the edges so that the edges can easily be seen and any chips etc can be quickly spotted. Other marks described are usually not visible at all when the tile is viewed straight as one normally sees it and can only be seen with a critical eye when the tile is tilted to catch imperfections in reflected light. For a more detailed description of how we describe marks see Condition.

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