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Rare Minton Landscape Blue and White Tile


• Style/technique: Pictorial print
• Made by:
Mintons China Works
• Dimensions: 6" x 6"
• Date:
circa 1890

 

• Condition: Excellent
• Price: £120 (approx $238)
• Ref: #03029

UK Special Delivery £129

US and World Airsure £136

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Condition Report

A touch of roughness bottom right edge, two very tiny stun chips otherwise the surface is perfect.

 
An uncommon series from Mintons, a set of twelve though completing the set would be a challenge. A quite charming, simple yet with individual style, view of a riverside town. An unusual decorating process for Mintons and generally, an outline blue printed hand coloured in two shades of blue. All blue prints tended to leech in to the glaze losing clarity and definition so printing and colouring was a deliberate choice to produce a better quality of decoration.

Mintons China Works rarely produced tiles which were hand decorated the vast majority being printed or moulded, even during the 1880s when Sherwin & Cotton, The Decorative Art tile Co and many others were producing brightly coloured wares Mintons pursued single colour transfer prints and Reynold's patent multicolour block prints. It was not until the 1890s that hand coloured prints and majolica tiles were standard fare, until then the few hand decorated tiles that were made were done in the pottery, and of course many Mintons tiles were decorated by outside studios and potters.

Verso very clean, embossed name and badge, handpainted pattern(?) number S1749.


The image is full size at 72 dpi (about 430 pixels wide) in maximum quality JPEG format and on screen is about the size as it would be in real life at the same distance. A larger 120 dpi image also in maximum quality JPEG format can be forwarded by email if required.

The image is a little oversize rather than cropped close to the edges so that the edges can easily be seen and any chips etc can be quickly spotted. Other marks described are usually not visible at all when the tile is viewed straight as one normally sees it and can only be seen with a critical eye when the tile is tilted to catch imperfections in reflected light. For more details of how we describe marks see Condition.

 

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