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Excellent Art Nouveau Majolica Tile
 

Condition: Fine
Price: £70 (approx $108)
Ref: #03048I

 
UK Special Delivery £77

EU Priority £79

US and World Priority £83

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Very light scratch near the left edge, a few slight touches of wear to the rim and high points.


  
  • Style/technique: Art nouveau majolica
  • Manufacturer: Carter of Poole
  • Dimensions: 3" x 6"
  • Date: circa 1905

 

An outstanding art nouveau design of tulips in a very erect and stylised form reminiscent of Charles Rennie Mackintosh (this came from Glasgow too). Moulded in very high relief and with the impressed pattern verso, sign of a quality tile, made to ensure constant thickness of clay and improve durability. Few companies made such high relief tiles they were a technical challenge but the effect is superb especially with brilliant glazing as this.

But perhaps the outstanding feature of this tile is the skill of the modeller for it is both precise and having great flow of the line. The symmetry is almost perfect - truly a demanding skill, the mould was fashioned by a truly skilled and artistic individual. The skill of the kilnmaster should not be overlooked for the near perfect glazing really gives the relief its definition. The glaze is consistent with the relief all over, no pooling where there should not be, brighter where it should be on the high relief and richer where it is indented.

This tile (and also see similar 03047 from the same original installation) is ideally suited for interspersing between brighter coloured 6" x 6" tiles in a horizontal display the plain darker colouring emphasising the brighter tiles without being tedious and indeed with their own interest. We have about a half dozen of each from good to very fine condition.

Verso, indented pattern as face, unmarked save for a number which is not a pattern number but appears on known Carter tiles*, this design appears in Carter's catalogue identified as No. 1090.

A couple of tiny, a couple of very tiny and a couple of minute surface chips, excellent glaze brilliance.

* Blanchett illustrates a somewhat similar embossed art nouveau design from Carter on page 86 with the same number embossed 1673. What the significance of these numbers is remains a mystery as different numbers have been noted on the same designs and the same numbers on different designs each on multiple occasions.

 


The image is full size at 72 dpi (about 220 pixels wide) in maximum quality JPEG format and on screen is about the size as it would be in real life at the same distance. A larger 120 dpi image also in maximum quality JPEG format can be forwarded by email if required.

The image is a little oversize rather than cropped close to the edges so that the edges can easily be seen and any chips etc can be quickly spotted. Other marks described are usually not visible at all when the tile is viewed straight as one normally sees it and can only be seen with a critical eye when the tile is tilted to catch imperfections in reflected light. For more details of how we describe marks see Condition.

 

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