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Condition: Near perfect One very tiny corner chip and one very tiny
surface chip, a tiny amount of rubbing near the
edges where it has rubbed against the original
frame from whence it has just been removed.
Perfectly clean and bright. Style/technique: Pictorial print A pastoral scene of a quite substantial
elizabethan thatched farmhouse or mill and pool,
transfer printed from an engraving almost
certainly by L T Swetnam (Wise died two years
before the series was introduced) and coloured
with fabulous bright and charming colours. Almost all of the Swetnam and Wise engravings
look so much better in colour indeed from the
techniques of the engraving, the original
pattern books and the effect of coloured vs
uncoloured it is clear that the original intent
was to colour. It is a great shame that Mintons
China Works for so long solely pursued
mechanical decoration (eg Reynold's patent
printing) and only in the very late 19thC fully
embraced hand coloured designs. This is a super
tile, the balance between print and colour just
perfect giving precision and reliability without
sacrificing feel and colour. 'Waterside Architecture' is probably the last
6" x 6" landscape series that Mintons China
Works produced and the only one I have seen in
post 1900 catalogues. The theme apparently is of
waterways and pools with man-made structures
nearby which include bridges, mills, towers etc,
I can recall seeing maybe eight or ten so
presumably a series of twelve but they don't
come along very often. A great series to collect
or a great gift for the fisherman! Pattern number 2475 will date the series'
introduction to early 1891, pattern number 2469
is also of waterside architecture views (eg
Warwick Castle) but in 6" x 12" and 12" x 6"
format. Verso perfectly clean, unmarked offset
grid. The image is full size at 72 dpi (about 430
pixels wide) in maximum quality JPEG format and on
screen is about the size as it would be in real
life at the same distance. A larger 120 dpi image
also in maximum quality JPEG format can be
forwarded by email if required. The image is a little oversize rather than
cropped close to the edges so that the edges can
easily be seen and any chips etc can be quickly
spotted. Other marks described are usually not
visible at all when the tile is viewed straight as
one normally sees it and can only be seen with a
critical eye when the tile is tilted to catch
imperfections in reflected light. For more details
of how we describe marks see Condition.
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