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Wedgwood Classical Blue and White Tile


Condition: Near perfect
Price: £50 (approx $74)
Ref: #03455

UK Special Delivery £58

EU Airsure £63.50

US and World Airsure £67.50

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Two minute chips bottom edge otherwise perfect.


 

• Style/technique: Classical blue & white print
• Manufacturer: Josiah Wedgwood
• Dimensions: 6" x 6"
• Date: circa 1885 

 

A pleasing symmetrical design with a complex and stylish floral design in the centre. In each corner there are symbols of good, cornucopia (fertility, fortune and abundance) either side of a winged putto mask (love, peace and happiness).

Versos very clean, not named but embossed known Wedgwood mark and printed pattern number.

 


Condition: Near perfect
Price: £48 (approx $71)
Ref: #03455B

UK Special Delivery £56

EU Airsure £61.50

US and World Airsure £65.50

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One very tiny corner chip, three minute edge chips otherwise perfect.



Condition: Near perfect
Price: £45 (approx $67)
Ref: #03455C

UK Special Delivery £53

EU Airsure £58.50

US and World Airsure £62.50

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Half a dozen very tiny > minute rim chips, about an inch of roughness tip of left edge, surface is near perfect.



Condition: Excellent
Price: £40 (approx $59)
Ref: #03455D

UK Special Delivery £48

EU Airsure £53.50

US and World Airsure £57.50

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Very small chip bottom right corner otherwise near perfect.



Condition: Near perfect
Price: £40 (approx $74)
Ref: #03455E

UK Special Delivery £48

EU Airsure £53.50

US and World Airsure £57.50

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Two bvery tiny egde chips otherwise perfect - white mark bottom edge is a printing flaw.



The image is full size at 72 dpi (about 430 pixels wide) in maximum quality JPEG format and on screen is about the size as it would be in real life at the same distance. A larger 120 dpi image also in maximum quality JPEG format can be forwarded by email if required.

The image is a little oversize rather than cropped close to the edges so that the edges can easily be seen and any chips etc can be quickly spotted. Other marks described are usually not visible at all when the tile is viewed straight as one normally sees it and can only be seen with a critical eye when the tile is tilted to catch imperfections in reflected light. For more details of how we describe marks see Condition.

 

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