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Chip top right corner, half a dozen very tiny
surface chips and other very minor surface marks.
Perfectly clean and brilliantly glazed. Style/technique: Pictoral print An excellent stylish ship design by
Pilkington Tile & Pottery Co, a rarely seen
tile and a super scene of a ship at sail finely
engraved and very well printed in a great shade
of blue on bright white biscuit. It has been
suggested that this is a design by Voysey which
may well be the case for it is in his manner and
dates from first few years of the edwardian
era. This is pattern number E699, pattern numbers
E687 and E688 were registered in late 1901,
further transfer print designs were registered
in 1902 and pattern numbers E702 and E706 are
recorded as 1903*. It seems that Pilkington tiles with designs
by noted, outsourced designers are of a better
quality of decoration than others. Good design
does not necessarily translate to a good tile,
after the design has been originated there are
further manufacturing stages, the engraving of
the printing plate, the printing of the transfer
and its application to the tile. On this tile
all have been executed with great care and skill
and this is the best printed tile by Pilkington
that I can recall seeing. Verso perfectly clean the earlier edwardian
style with bars rather than the later grid,
embossed P in opposing corners with little stars
which I know not the significance of although
similarly situated diamonds have been noted on
other Pilkington tiles. Printed pattern
number. *TACS Journal no. 15 article by Barry and
Angela Corbett The image is full size at 72 dpi (about 430
pixels wide) in maximum quality JPEG format and on
screen is about the size as it would be in real
life at the same distance. A larger 120 dpi image
also in maximum quality JPEG format can be
forwarded by email if required. The image is a little oversize rather than
cropped close to the edges so that the edges can
easily be seen and any chips etc can be quickly
spotted. Other marks described are usually not
visible at all when the tile is viewed straight as
one normally sees it and can only be seen with a
critical eye when the tile is tilted to catch
imperfections in reflected light. For more details
of how we describe marks see Condition.
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