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Tiny chips to the corners, nothing else to speak
off, fabulous shiny glaze surface virtually
unmarked. Style/technique: Floral print A six colour tile, the outline printed in
dark brown, blue, green, yellow and warm brown
fill colours printed and burgundy at the corners
hand painted. It is fascinating that they made
the effort to paint those tiny flowerheads at
the intersections especially in deep red for it
potentially caused problems in firing resulting
in more waste production. Block printing was a speciality of Mintons
Ltd indeed very few of their tiles are coloured
by hand, despite their reputation for art tiles
they were mostly mechanical decorators. We have
seen some with near certainty made by Steele
& Wood, uncommon but found from time to time
and in some colours that Mintons apparently
could not achieve, some with a textured effect
that softens the bold conformity of block
printed colours. This is a first from Jackson
Bros and a great find, a good range of colours
to find block printed and a tile of interest to
serious collectors and of museum interest. So who were Jackson Bros? Their wares are
seen from time to time but not in any great
quantity but for sure many get wrongly
attributed. They used a grid grip pattern (like
Mintons Ltd) and rail pattern like Marsden,
Wedgwood and many others, very few are
idneitified, some are named and some have a
design registration number. They registered
twenty designs between 1884 and 1886. Verso a little grubby and rust stained along
one edge, rail pattern, design registration
number printed The image is full size at 72 dpi (about 430
pixels wide) in maximum quality JPEG format and on
screen is about the size as it would be in real
life at the same distance. A larger 120 dpi image
also in maximum quality JPEG format can be
forwarded by email if required. The image is a little oversize rather than
cropped close to the edges so that the edges can
easily be seen and any chips etc can be quickly
spotted. Other marks described are usually not
visible at all when the tile is viewed straight as
one normally sees it and can only be seen with a
critical eye when the tile is tilted to catch
imperfections in reflected light. For more details
of how we describe marks see Condition.
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