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About half a dozen very tiny rim chips, some
very light surface scratches only visible when
caught in the light. Style/technique: Japanesque print An infrequently found pair of oriental scene
tiles shown in the Mintons catalogue with
pattern numbers 1911 and 1912 indicating an
introduction date of 1883. Just a pair for a
group of four is illustrated and Mintons used
two number for pairs but one number for series
with letter suffix. Quite a curious pair, a
suggestion perhaps of the theme of the leisures
of husband and wife or perhaps she is waving to
him as he gets dragged away by the fish? 1911 is a fascinating view of a lady waving
to ships sailing bye being set on a fan and
surrounded by blossoming branches all in the
japanese taste. 1912 has similar border but the scene this
time of a fisherman, sporting scenes on 19thC
tiles often have an element of humour and this
is no exception. The fisherman had caught a
rather large fish (carp?) which has dislodged
him from his perch on something like a board
which is now caught in a tree. His catch in a
pail has overturned and a bird looks quizzically
on. Quizzically indeed! A little thicker than normal, not quite the
half-an-inch thick 'hearth quality' biscuit but
more than the standard 3/8 inch, buff clay is
denser and more durable so substantial tiles and
rather weighty. Apparently used as a hearth tile showing some
light scratches, minute surface chips and tiny
chips to the rim nevertheless displays well and
being a uncommon example of aesthetic/japanesque
design. Versos perfectly clean, no makers name but
recognised grip pattern. Some tiny chips to the edges, some contiguous
along the bottom edge at the right corner. Some
very light surface scratches only visible when
caught in the light. The image is full size at 72 dpi (about 430
pixels wide) in maximum quality JPEG format and on
screen is about the size as it would be in real
life at the same distance. A larger 120 dpi image
also in maximum quality JPEG format can be
forwarded by email if required. The image is a little oversize rather than
cropped close to the edges so that the edges can
easily be seen and any chips etc can be quickly
spotted. Other marks described are usually not
visible at all when the tile is viewed straight as
one normally sees it and can only be seen with a
critical eye when the tile is tilted to catch
imperfections in reflected light. For more details
of how we describe marks see Condition.
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